Scottish clothing

Women's kilts: how they differ from men's kilts and tartan skirts

What a women's kilt or kilted skirt is, how it differs from a men's kilt and a plain tartan skirt in construction and fit, and what custom says about women wearing kilts.

A woman in sunglasses and a black polo-neck wearing a short brown and cream checked wool skirt with front buttons, standing by a red telephone box
A checked wool skirt, the everyday garment the page distinguishes from a kilt.Photo: David Merrett, CC BY 2.0 (source)

Yes, a women’s kilt is usually a different garment from a men’s kilt. The version made for women, often sold as a kilted skirt, is lighter, closes on the opposite side, and comes in a choice of lengths. A tartan skirt is a third thing: any skirt made from tartan cloth, with no obligation to follow kilt construction.

Where sellers use “women’s kilt”, “kilted skirt” and “kilt skirt” interchangeably, check the construction. The answers below come from a clan society’s dress guide, which is one source and a regional preference rather than a rule.

Three garments compared

Women's kilted skirt, men's kilt and tartan skirt compared. Figures are from the Clan Buchanan Society guide unless stated.
GarmentConstructionClosureCloth weightLength
Men's kiltWrapped and pleated, aprons at the front, worn at the natural waist (kilt reference article)Closes to the rightHeavier; 13 or 16 oz is common (kilt reference article)About knee length (kilt reference article)
Women's kilted skirtPleated and kilt-style; wrapped front apronCloses to the left, with the pin on the left sideLighter than a man's kilt; typically medium, with an 11 oz light weight also offeredKnee, tea length (halfway between knee and ankle) or hostess (long, almost to the floor)
Tartan skirtAny cut; pleating optionalNot established; no single conventionNot establishedAny

The Buchanan guide adds that mass-produced “active kilts” for women usually have the apron closing to the right, as on a man’s kilt. So the left-closing rule describes the traditional women’s kilted skirt, not every garment sold as a women’s kilt.

Fit and length

On length the Buchanan guide separates occasions: knee and tea length can be worn at any time, while the hostess skirt, almost reaching the floor, is usually reserved for formal functions. The same page notes that “tea length” is not used in the same way in every country. That matters when ordering from a maker you have not used before, because the same word may describe two different hems.

The guide’s measuring instructions are short and specific. It asks for three numbers: the waist, taken at the smallest point; the hips, taken at the widest point; and the length, from the navel to the hemline you want. It advises measuring while wearing a dress shirt or blouse, and keeping the tape snug, neither tight nor sagging.

Compare that with the men’s rule. The kilt article on Wikipedia, a level D pointer, says a properly fitted men’s kilt covers the body from the waist to the centre of the knees, reaching no lower than halfway across the kneecap and no higher than about an inch above it. A women’s kilted skirt has no matching single standard. A knee-length skirt is one choice among three, so the length is a decision made per outfit, not a fit rule. The general how to measure for a kilt guide and the kilt size calculator are written for men’s kilts, which are measured differently, so treat their output as a starting point only.

Cloth weight shows the same gap. The Buchanan page puts women’s kilted skirts in medium weight (13 oz) or light weight (11 oz) tartan, and notes that the lighter cloth drapes well for outfits such as an arisaid. The Wikipedia article gives 13 oz and 16 oz as the most common men’s kilt weights, with lighter cloth around 10 to 11 oz and heavy regimental worsted around 18 to 22 oz. A 13 oz cloth is therefore at the light end of what men’s kilts use and the heavy end of what the Buchanan guide offers for women. The overlap shows that weight alone does not make a garment a women’s kilt.

What women wore before the kilted skirt

The arisaid (Gaelic earasaid) is the garment most often named as the women’s counterpart to the great kilt. According to Wikipedia’s summary, which should be read as a pointer to the primary accounts, it was a large rectangle of wool or silk, longer than the wearer’s height. It could be belted into a pleated dress or worn unbelted as a wrap, and could be drawn over the head. The same article cites Martin Martin describing a plaid reaching from the neck to the heels, fastened with a silver or brass buckle, Edward Burt in 1754 describing striped or chequered plaids in silk or fine worsted, and Thomas Pennant in 1769 describing women drawing it forward over the face during church services. It also says the 1845 McIan illustrations reconstructed the garment from written accounts roughly a century and a half old.

Two cautions follow. First, the arisaid is a wrapped garment, not a skirt with sewn pleats, so a modern kilted skirt is a different object even when a maker calls it an arisaid-style piece. Second, the descriptions come from a handful of visitors and one nineteenth-century illustrator. They do not show a continuous, documented line from the arisaid to today’s kilted skirt, and we found no source that establishes one.

Is there a rule about women wearing kilts?

No rule has been established. The sources read describe custom and event rules, not law.

The nearest thing to an authority statement comes second-hand. The American Clan Gregor Society’s article “Women Wear the Sash” quotes the current Lord Lyon’s web site as saying there are “no strict rules” on wearing tartan. We could not open the Lyon Court page itself, so that wording rests on the society’s quotation. The same article concludes that women should wear their sashes however they like, as is common at Highland Games.

Practice among dancers shows how much the answer depends on the setting:

  • The Buchanan guide says female members of pipe bands and female Highland dancers traditionally wear men’s attire. That is a statement of practice, not a prohibition.
  • The Aboyne Highland Games committee barred women from wearing kilts, sporrans and medals from around 1949, introduced an alternative dress in the early 1950s, and formalised the rules by September 1954, according to Wikipedia’s account of the Aboyne dress. That governs one competition and one era.
  • Elsewhere female dancers do wear kilts. The Scottish Official Board of Highland Dancing dress rules, as mirrored on scottishdance.net, require a kilt for the female Type 1 and Type 2 outfits, in any clan, family or district tartan, reaching the top of the knee. The Type 1 outfit adds a velvet jacket or waistcoat, a white blouse and clan tartan or diced hose; Type 2 uses white three-quarter-length hose and a plain blouse with a tie. A North American cultural society page says the same, that female competitors are expected to wear a kilt.
  • For the national dances the rules list a gathered tartan skirt reaching the top of the knee, with a plaid fastened at the right shoulder with a cairngorm brooch, or alternatively a white dress with a tartan sash worn from right to left. The rules say the skirt should be gathered, not circular.

So the accurate summary is that the Aboyne ban and the Board’s kilt rule coexist. The Buchanan page’s “men’s attire” wording is true in the sense that the kilt, jacket and hose descend from men’s dress, but the Board’s female outfit is its own specification with its own jacket, blouse and hose, not men’s clothing worn unchanged. The Board’s text we read is a mirror on a third-party site, so confirm the current wording with the Board before ordering for a competition.

A contemporary reference notes that kilts are widely worn by girls and women at Canadian schools with uniform policies and that field hockey and lacrosse players wear a simple contemporary kilt. Those are uniform conventions and say nothing about Highland dress.

The sash question

Women’s kilted outfits often include a tartan sash, and the shoulder it crosses is the point where guides disagree. The American Clan Gregor Society article describes mid-twentieth-century guidance: clanswomen wear the sash on the right shoulder, while chieftainesses and chiefs’ wives wear it on the left. The article argues those rules date only from the middle of the twentieth century. It cites Loudon M. Douglas’s 1914 manual, The Kilt: A Manual of Scottish National Dress, which suggested that ladies wear the sash over the left shoulder with evening dress, and otherwise left the use of tartan to personal taste.

The author’s own view, which is an opinion and not a finding, is that right-handed women find the left shoulder more comfortable and that Highland Games attendees now wear sashes in all manner of ways. The dance rules read for this page point the other way for dancers, with the sash worn from right to left and the plaid pinned at the right shoulder. If you are dressing for a clan gathering, ask the society, because some follow the right-shoulder convention and the older printed advice differs.

Choosing between the options

If the aim is a kilt-style garment for formal wear, a kilted skirt in the Buchanan description is the closest to the traditional pattern for women. If the aim is only tartan, a tartan skirt gives more freedom of cut and cloth. For kilt types, with pleat and fabric differences, see kilt types. Tartan choice raises the same questions for everyone; see who can wear which tartan.

Sources

The Clan Buchanan Society page on choosing a kilt or kilted skirt supplies the closure, weight, length and women-in-men’s-attire statements. The Buchanan dance page and the Scottish Cultural Organization of the Triangle page support the dancers’ attire. The Aboyne dress article supplies the games committee history. The Wikipedia kilt and arisaid articles supply the men’s kilt baseline, the school and sports uses, and a summary of the arisaid accounts. The American Clan Gregor Society article supplies the sash discussion and the Lord Lyon and Douglas quotations. The Highland dance rules come from the Scottish Official Board of Highland Dancing text as mirrored on scottishdance.net. All are secondary, clan-society or association material rather than registry or museum sources.

Related guides

Sources & further reading

  1. Choosing your basic attire: kilt or kilted skirtClan Buchanan Society International · accessed · evidence level C
  2. Aboyne dressWikipedia · accessed · evidence level D
  3. KiltWikipedia · accessed · evidence level D
  4. Women Wear the SashAmerican Clan Gregor Society · accessed · evidence level C
  5. Dress for Highland Dancers (female dress, Type 1, Type 2 and National dances)Scottish Official Board of Highland Dancing (text mirrored on scottishdance.net) · accessed · evidence level C
  6. Competitive Highland DancingScottish Cultural Organization of the Triangle (SCOT) · accessed · evidence level C
  7. ArisaidWikipedia · accessed · evidence level D
  8. Highland dancingClan Buchanan Society International · accessed · evidence level C

Sources (8)

Evidence levels run from A (primary or official) to E (unverified). How levels are assigned

  1. Choosing your basic attire: kilt or kilted skirt (opens in a new tab)

    Clan Buchanan Society International

    Clan organisation · accessed

    Evidence level CSpecialist secondary

    Established specialist secondary source.

  2. Aboyne dress (opens in a new tab)

    Wikipedia

    Secondary source · accessed

    Evidence level DCommercial

    Commercial source; not used as the basis of a historical claim.

  3. Kilt (opens in a new tab)

    Wikipedia

    Secondary source · accessed

    Evidence level DCommercial

    Commercial source; not used as the basis of a historical claim.

  4. Women Wear the Sash (opens in a new tab)

    American Clan Gregor Society

    Clan organisation · accessed

    Evidence level CSpecialist secondary

    Established specialist secondary source.

  5. Dress for Highland Dancers (female dress, Type 1, Type 2 and National dances) (opens in a new tab)

    Scottish Official Board of Highland Dancing (text mirrored on scottishdance.net)

    Secondary source · accessed

    Evidence level CSpecialist secondary

    Established specialist secondary source.

  6. Competitive Highland Dancing (opens in a new tab)

    Scottish Cultural Organization of the Triangle (SCOT)

    Secondary source · accessed

    Evidence level CSpecialist secondary

    Established specialist secondary source.

  7. Arisaid (opens in a new tab)

    Wikipedia

    Secondary source · accessed

    Evidence level DCommercial

    Commercial source; not used as the basis of a historical claim.

  8. Highland dancing (opens in a new tab)

    Clan Buchanan Society International

    Clan organisation · accessed

    Evidence level CSpecialist secondary

    Established specialist secondary source.